From the History of Gurama
An ancient technique of joined fabric, and its long life in Azerbaijan.
In Azerbaijani, gurama means "united." In the country's west it is known as gurakh; in Turkey, girkh yama, "forty connections"; in Iran, qirx ilme, "forty loops." Central Asia knows it as kurak, kurau or kurama. Different names, one instinct: to take what is left over and join it into something whole.
AN ANCIENT TECHNIQUE
Archaeological evidence places patchwork across Asia, Europe and Africa since deep antiquity. The earliest known trace is an Egyptian pharaoh depicted in a quilted robe, carved in ivory around 3400 BCE and held today in the British Museum. In China's Mogao Caves a carpet assembled from pilgrims' worn clothing was discovered, dating to around the 10th century. In Kyrgyzstan's Kochkor Valley, an 8th-century petroglyph shows a horseman on a saddle blanket patterned with diamond shapes still recognisable as kurak today.
WOVEN INTO THE SILK ROAD
Azerbaijan's own gurama likely has no single point of origin: the country sat on the Great Silk Road, and the craft reads like an archive of everyone who passed through. Gurama absorbed silk, chintz, velvet, damask and wool, with especially fine examples from Karabakh, Ganja-Gazakh, Balakan and Baku. Museum surveys of 19th and early 20th-century pieces show the triangle as the dominant building block, traditionally read as an imitation of the sun's rays: a sign of the solar deity, of fire, of the connection between heaven and earth.
"Fabric cuttings included in a composition carry information that forms a kind of chronicle of the family, clan or community." - Dr. Amina Melikova
WOVEN INTO CEREMONY
Gurama played a real role in Azerbaijani weddings. As a mark of respect, a bride sewed pillows, mattresses and bedspreads for her future in-laws with her own hands, and visiting matchmakers judged her character by the brightness and neatness of her stitching. A gurama curtain, the gerdek pardasi, separated the bride's bed from the rest of the room. Newlyweds were wrapped in gurama headscarves against the evil eye. Black and white patterning was considered the strongest protection of all.
A GLOBAL THREAD
Every patchwork culture found its own reasons for saving scraps: quilting bees in the United States, kantha quilts in South Asia, yosegire in Japan and the hexagon-pieced "Hundred Households" robes of China. What separates gurama from many of these traditions is less the technique than the belief behind it: a conviction that patchwork protects, remembers and quietly directs the fortunes of the household it belongs to.
Text adapted from GURAMA - Azerbaijan Folk Applied Art (2022) by Dr. Amina Melikova.